A lay-about falls for his best friend's fiancee. The two of them run away from a life of privilege to one of middle-class normalcy. When an influx of money enters their life, their differences come to light.

A man and a woman, who have never met, are forced by pecuniary circumstances to share the same basement apartment in shifts.

Bill Moyers tells the story of several hardworking Milwaukee families struggling with low-paying jobs after previous employers downsized their operations. Filmed over a period of five years, these families were first featured in Moyers’s 1992 documentary ‘Minimum Wages: The New Economy.’ FRONTLINE chronicles the families’ emotional and financial strains, their search for better jobs and job retraining, and looks at Milwaukee’s efforts to adapt to an ever-shrinking industrial sector.

当代舞者兼编舞家玛丽娜·谢斯奈（Marine Chesnais）在不使用呼吸装置的情况下在水下进行超凡脱俗的表演。为了筹备一部新作品，她前往留尼汪岛（Réunion Island）与迁徙中的座头鲸一同潜水。这次经历永远改变了她对生命和自然的看法。

Ale and her best friend Rubén, witness the brief sighting of a comet. She hangs on to the moment.

A female team of government agents, under the guise of owners of a popular worldwide franchise of aerobic centers, matches wits with a group of criminals who have kidnapped a top defense specialist and his ailing son, intending to sell him to the highest bidder.

A female team of government agents, under the guise of owners of a popular worldwide franchise of aerobic centers, match wits with a group of criminals who have kidnapped a top defensive specialist and his ailing son, intending to sell him to the highest bidder.

A mysterious hit man and a struggling sex worker fall in love and go on a killing spree. After the first shot is fired their worlds seem to disappear, leaving them to decide what`s real and what`s fiction.

Conrad loves Beatrice while Beatrice loves herself. Together, they make for an odd pair, one unable to express his emotions, the other unable to contain them. Velvet is the story of their relationship and the crushed velvet jacket that comes between them.

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?